[ad_1]
The critiques behind Michael Myers’ depiction in Halloween Ends is getting an understanding response from co-writer Danny McBride. The third installment in the 2018 revival trilogy followed Laurie and her granddaughter Allyson trying to move on from the events of the first two movies, only for a local man’s run-in with Michael Myers to reignite Haddonfield’s horrific past. Much like its predecessor, Halloween Ends scored mixed reviews from critics, namely the lack of screen time given to Michael Myers.
In a recent interview with Us Weekly, Danny McBride reflected on the backlash to Halloween Ends. When looking in particular at Michael Myers criticisms, namely that the iconic killer was only minimally in the trilogy finale, the co-writer admitted said critiques were “valid“, but went on to defend co-writer/director David Gordon Green’s vision for the film. See what McBride said below:
I think that is a valid criticism. All three of these movies was really David Green’s sort of brainchild. He had a very distinct idea of what he wanted to do with this. And I just felt lucky that he brought me along for the ride to help him where I could and to try to give him anything I could on it. And when he told me his pitch for focusing on this Corey character, I thought that it was cool. I thought it was a smart take on it. I thought that it was a way to avoid repetition and sort of explore something a little different and still tying it into what Halloween’s ultimately about.
Why Halloween Ends Is The Most Divisive In The Franchise
Despite having gotten to a strong start with 2018’s Halloween, David Gordon Green’s revival trilogy ultimately proved a disappointment for fans of the horror franchise, who felt it didn’t take advantage of the high bar set by his first film. Halloween Ends in particular proved to be the most divisive of the follow-ups for a number of reasons, Michael’s minimal appearance being one of the biggest despite having been the key antagonist for so many movies.
This element was made all the worse as the marketing continued to hype the epic final fight between Jamie Lee Curtis’ Laurie and Michael, thus hiding the fact that Halloween Ends was actually largely focused on Rohan Campbell’s Corey as he becomes influenced by The Shape. Given the film was intended to conclude Green’s trilogy, the decision to focus on a new character rather than actually building up Michael’s final hurrah was deemed disappointing.
One of the other major reasons Halloween Ends proved divisive was its actual ending, which seemingly killed off Michael for good as his body was disposed of in an industrial shredder by Laurie and Allyson. While some appreciated his definitive fate, others found themselves underwhelmed by its execution while also wishing for a more emotional ending for Laurie, including potentially killing her off along with him. With Green now working on an Exorcist revival trilogy with Blumhouse, one can hope he and McBride have learned their lessons from Halloween Ends‘ backlash.
Source: Us Weekly
[ad_2]
Source link
